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Internet Message Format  |  1993-01-25  |  7KB

  1. From uunet!walter!broom!fvr Fri Aug 14 11:08:33 PDT 1992
  2. Article: 1550 of alt.guitar.tab
  3. Newsgroups: alt.guitar.tab
  4. Path: nevada.edu!uunet!walter!broom!fvr
  5. From: fvr@broom.bae.bellcore.com (Frank Ricciardi) + SubGenius
  6. Subject: Re: TAB/INFO REQUEST: Eric Johnson (?) "Cliffs of Dover"
  7. Message-ID: <1992Aug14.123854.10729@walter.bellcore.com>
  8. Sender: news@walter.bellcore.com
  9. Nntp-Posting-Host: broom.bae.bellcore.com
  10. Organization: Bell Communications Research
  11. References: <1992Aug11.063457.15568@unix.portal.com> <Bsu9ys.635@comp.vuw.ac.nz>
  12. Date: Fri, 14 Aug 92 12:38:54 GMT
  13. Lines: 151
  14.  
  15. In article <Bsu9ys.635@comp.vuw.ac.nz>, Michael.Bremford@comp.vuw.ac.nz (Mike Bremford) writes:
  16. |> 
  17. |> In article <1992Aug11.063457.15568@unix.portal.com>, brian@jobe.portal.com (Brian T Fudge) writes:
  18. |> |> I just bought a guitar and I'm trying to learn some songs.  I'm a little
  19. |> |> confused by all of the terms used in tablature.  I read the tablature
  20. |> |> standard posting and it explained what the symbols meant, but not how to
  21. |> |> play the symbols.  Can someone explain to a total novice what these terms
  22. |> |> mean?
  23. |> |> 
  24. |>     <Stuff Deleted>
  25. |> |> I've also heard a lot of Eric Johnson (?) like "Cliffs of Dover" and
  26. |> |> "Summer/Winter Song".  I couldn't find it at ftp.nevada.edu (which is a
  27. |> |> great database, thanks!).  Has anyone ever seen any of his songs in
  28. |> |> tablature?
  29. |> |> 
  30. |> |> Thanks for any help!
  31. |> |> 
  32. |> |> Brian Fudge
  33. |> |> brian@shell.portal.com
  34.  
  35.  
  36.  
  37. This is how I play the main theme to "Cliffs of Dover."  It's a bit tricky;
  38. I can't get it to come out quite as quick and clean as Mr. Johnson does,
  39. but then again, he's a pro.
  40.  
  41. It'ud probably really help to have a copy of the album to play along with.
  42.  
  43. My notation is:
  44.  
  45. /     a slide
  46. ~     vibrato or tremolo--wiggle yer fingers
  47. '     bend the string
  48. h     hammer on
  49. p     pull off
  50. &     Smash yer amp with yer guitar, light the wreckage on fire then dive
  51.       into the audience
  52.  
  53.  
  54.  
  55. In 4/4, with a pretty fast (190 b.p.m. or thereabouts) shuffle-ish beat.
  56.  
  57. ----|------------------------|-----------------------|------------------------|
  58. T---|------------------------|-----------------------|------------------------|
  59. A-16/17-----14-17/16----12-16/14----11-14----11-12-14/16----12-16/14----11-14-|
  60. B---|----14----------12------|---12-------12---------|---12----------12-------|
  61. ----|------------------------|-----------------------|------------------------|
  62. ----|------------------------|-----------------------|------------------------|
  63.  
  64.  
  65.     |----------------
  66.     |----------------
  67.     |-12-11/9----9~~~
  68.     |---------12-----
  69.     |----------------
  70.     |----------------
  71.  
  72.  
  73. He does all sorts of pervertations and convolutions on this;  the last
  74. bar is also played:
  75.  
  76.     |----------------
  77.     |----------------
  78.     |-12-11/9--------
  79.     |---------12-9~~~
  80.     |----------------
  81.     |----------------
  82.  
  83. -and-
  84.  
  85. ----|------------------------|-----------------------|------------------------|
  86. ----|------------------------|------------12~--------|------------------------|
  87. --16/17-----14-17/16----12-16/14----11-14----11-12-14/16----12-16/14----11-14-|
  88. ----|----14----------12------|---12------------------|---12----------12-------|
  89. ----|------------------------|-----------------------|------------------------|
  90. ----|------------------------|-----------------------|------------------------|
  91.  
  92.     |------------10~~~
  93.     |----------------
  94.     |-12-11/9--------
  95.     |---------12-----
  96.     |----------------
  97.     |----------------
  98.  
  99.  
  100.  
  101. This is my bash at the intro to the song;  I'm afraid that I can differentiate
  102. the different bits into bars--just play the lot as fast as you can.
  103.  
  104.  
  105. |--15'--15-12-14----12--------12----------------12-15-14p12----14-12----------
  106. |----------------15----12-15~---15p12-----12-15-------------15-------15p12-15-
  107. |-------------------------------------14'-------------------------------------
  108. |-----------------------------------------------------------------------------
  109. |-----------------------------------------------------------------------------
  110. |-0---------------------------------------------------------------------------
  111.  
  112.  
  113. --12-----------------------------------------------5-7-6-5-----------------
  114. -----15p12----15p12----15p12------------------5--8---------8-5---5-7---5-3-
  115. -----------14-------14'-------14'(14)p12----7------------------7-----4-----
  116. -----------------------------------------14--------------------------------
  117. ---------------------------------------------------------------------------
  118. ---------------------------------------------------------------------------
  119.  
  120. ---------------------------------------------
  121. -----------------------------------------8'--
  122. --4p2---4p2----------------------------------   Take a deep breath, 
  123. ------5-----5-2----5-2-----2-0---------------   then...
  124. -----------------5-----5-2-----2-0-----------
  125. -----------------------------------3'p0------
  126.  
  127. ---------------------7----8/10~--8--------------------------------------------
  128. --------5-----7/8-10---10----------12-------12-------13~----------15-------17-
  129. ------------------------------------------------------------------------------
  130. ------7-----9----------------------------14-------14-----------17-------17----
  131. --2/3-----5---------------------------10-------12--------12/14-------15-------
  132. ------------------------------------------------------------------------------
  133.  
  134. -----------15~-15----15----15----15----15----15----15----15----15----15----15-
  135. --------19--------19----------------------------17----19----------------------
  136. ------------------------19----------------17----------------19----------------
  137. -----19-----------------------19----17----------------------------19----17----
  138. --17--------------------------------------------------------------------------
  139. ------------------------------------------------------------------------------
  140.  
  141. --15----15----15----15----15----15----15----17-15----15-19-17-15----17-15-
  142. -----------17----19----------------17----19-------19-------------19-------
  143. -----17----------------19----17-------------------------------------------
  144. --------------------------------------------------------------------------
  145. --------------------------------------------------------------------------
  146. --------------------------------------------------------------------------
  147.  
  148. --------------------------------------------------------------------------
  149. --19-15----17-15----------------------------------------------------------
  150. --------17-------17-14----16-14----------16-14----------16-14-------------
  151. -----------------------17-------17-14----------17-14----------17-14-------
  152. --------------------------------------17-------------17-------------17----
  153. -----------------------------------------------------------------------15-
  154.  
  155. ..there's more, but crikey am I tired.
  156.  
  157.  
  158. ________________________________________________________________________________
  159. "If you got to it and didn't do it, may you never get to it, and do it again"
  160.  
  161.  
  162. Frank V. Ricciardi
  163.  
  164. fvr@bae.bellcore.com
  165.  
  166.  
  167.  
  168.